Abstract: Taking emotional geopolitics as the perspective, this paper analyses three films (Wolf Warriors II, Operation Red Sea and Operation Mekong)about Chinese military operations abroad and the audience’s comments on the film in the Douban Film Forum. In order to understand the geopolitical narratives in films and the audience’s emotional “reading” of such films, this paper using visual analysis, narrative deconstruction and NVivo analysis methods, tries to deconstruct how such films affect the “emotion” in the cognition of geopolitical relations. The study found: First, such films are related geopolitical topics to reality, which enlarge and transmit geopolitical emotions through the adaptation and rewriting of geopolitical events. Secondly, film has been becoming a new media of mainstream values. It uses the interaction between the audience and the film narrative to produce meaning and acts on the dimension of “emotion”. Finally, the body is an important carrier of national emotions. The auditory and visual stimulation of films and online interactive audience's comments are important ways to awaken and maintain national emotions and produce geopolitical forces. The contribution of this paper lies in the intersection of emotional geopolitics and films.