Abstract: Taking emotional geopolitics as the perspective, this paper analyses three films (Wolf Warriors II, Operation Red Sea and Operation Mekong)about Chinese military operations abroad and the audience’s comments on the film in the Douban Film Forum. In order to understand the geopolitical narratives in films and the audience’s emotional “reading” of such films, this paper using visual analysis, narrative deconstruction and NVivo analysis methods, tries to deconstruct how such films affect the “emotion” in the cognition of geopolitical relations. The study found: First, such films are related geopolitical topics to reality, which enlarge and transmit geopolitical emotions through the adaptation and rewriting of geopolitical events. Secondly, film has been becoming a new media of mainstream values. It uses the interaction between the audience and the film narrative to produce meaning and acts on the dimension of “emotion”. Finally, the body is an important carrier of national emotions. The auditory and visual stimulation of films and online interactive audience's comments are important ways to awaken and maintain national emotions and produce geopolitical forces. The contribution of this paper lies in the intersection of emotional geopolitics and films.

摘要： 以情感地缘政治为切入点，以三部中国海外军事行动题材的影视作品以及观众在“豆瓣电影”论坛影评为主要分析对象，通过视觉分析、叙事解构与NVivo分析的方法，探究了影视作品中的地缘政治叙事以及观众对于这类电影的情绪性“阅读”，尝试解构这类电影如何影响“情感”在地缘政治关系的认知中发挥作用。研究结论包括：首先，此类影视作品与现实中的地缘政治话题相契合，影视作品通过对地缘政治事件的改编与重塑将地缘政治情感放大与传递；其次，全媒体时代下影视作品正成为一种新的主流价值观的传播媒介，通过观众与影片叙事情节的互动产生意义，并作用于“情感”这一维度；最后，身体是民族情感重要的载体，影视作品的视听刺激以及观众网络媒介下的评论互动是唤醒与维持民族情感、生产地缘政治力量的重要方式。