Abstract:

Based on 98 of Stephen Chow's films since 1980, this paper analyzes the cooperation between film creators and the regional spatial network by social spatial network analysis, and the following conclusion can be drawn: Stephen chow presents three stages in the personnel cooperation network, from the edge to the core. In terms of space, the regional spatial structure based on the cooperation of creative personnel presents the network spreading from Hong Kong to mainland China and overseas, in which Hong Kong reached 3 646 of degree centrality as the core of the center, followed by Guangdong, Shanghai, Beijing and Taiwan. In terms of time sequence, it shows the process of "going north" from Hong Kong to the inland, with the gradual expansion of the cooperation network. And the property of film companies can better reflect the character of "going north" in the spatial connection. On this basis, this paper analyzes the formation mechanism of the spatial network expansion of Hong Kong films from the perspectives of geographical proximity, cultural homogeneity, business orientation and CEPA policy.

Key words: regional spatial network, Hong Kong films, social network analysis, Stephen Chow

摘要：

以1980年以来周星驰的98部影视作品为基础数据，采用社会网络分析方法对电影主创人员合作网络及其形成的区域空间网络特征进行分析，结果表明：电影主创人员合作网络的发展呈现三个阶段，且周星驰在合作网络中由边缘走向核心；在空间上，基于主创人员合作的区域空间结构呈现由香港向中国内地及海外扩散的网络特征，其中香港为网络核心，度中心度最高，其次为广东、上海、北京和台湾；在时序上，区域空间结构表现为由香港逐步“北上”中国内地的过程，并伴随合作网络而逐步扩大，并且影视公司属地在空间联系中“北上”的特征更为明显。在此基础上，从空间邻近性、文化同源性、商业导向以及政策支持等方面对其形成机制进行了分析。

关键词: 区域空间网络, 香港电影, 社会网络分析, 周星驰