Abstract:

Under the background of globalization and economic integration, Chinese government attaches great importance to the preservation and inheritance of cultural heritage and vigorously promotes Chinese culture globally. Based on GIS, using shadow play as a case, this paper analyzed the spatiotemporal distribution characteristics and communication features of shadow play’s cross-cultural communication according to the diffusion destinations in European cities from 1949 to 2018. Results show that: first, the European disseminated cities of Chinese shadow play shows spatial agglomeration characteristics; Second, the distribution pattern of Chinese Shadow play in Europe shifts from northwest-southeast to southeast-northwest in recent years. The distribution center transfers from Switzerland to eastern France; Third, in terms of high-density point of Chinese shadow play’s cross-culture communication, the point experiences a change from northern Italy to central Germany cities.The diffusion of Chinese shadow play in Europe concentrates in Central Europe and diffuses to neighboring countries, mainly in France, Germany, and Italy, main diffusion cities are Paris, London, and Milan.

Key words: intangible cultural heritage, Shadow Play, cross-cultural communication, spatial distribution characteristics, international communication

摘要：

在全球经济一体化的大潮中，中国高度重视文化遗产保护与传承，大力推进中华文化“走出去”战略，为非物质文化遗产的传播提供了新的途径和机遇。基于GIS技术，以列入联合国教科文组织“人类非物质文化遗产代表作名录”的中国皮影戏为案例，研究新中国成立以来以欧洲城市为文化传播目的地的跨文化传播时空特征，并分析其传播特点。研究显示：第一，中国皮影戏跨文化传播欧洲目的地城市表现出一定的空间集聚性特征；第二，方向分布由初期的在欧洲的西北-东南分布，发展为近年来在欧洲地区的东南-西北走向，分布中心由瑞士转移至法国东部。第三，密度高值点转移，跨文化传播欧洲目的地城市密度分布的高值由意大利北部城市等转移至德国中部城市。我国的皮影文化在欧洲地区的传播以中欧地区聚集，并向周边国家扩散，主要是以法国、德国、意大利为主，主要传播城市为法国巴黎、英国伦敦、意大利米兰等。

关键词: 非物质文化遗产, 皮影戏, 跨文化传播, 空间分布特征, 对外传播